L’industrie de l’impression 3D, expériences et promesses.

ARTS, INVENTION, INDUSTRIE

EHESS (CESPRA), LES ARTS DÉCORATIFS, ENSCI, INHA.
Patricia Falguières (EHESS), Odile Nouvel (Musée des Arts Décoratifs),
Sophie Pene (ENSCI) Philippe Sénéchal (INHA)

JEUDI 4 AVRIL  A 18H00
INHA, 6 rue des Petits- Champs ou 2 rue Vivienne, 75002, salle Fabbri de
Pereisc.

SOPHIE PENE

L’industrie de l’impression 3D, expériences et promesses.
En explorant cette année la notion d’impression, nous voulions éclairer
l’impression 3D et questionner ses liens éventuels avec le vaste domaine de
l’impression artistique, artisanale, industrielle, tel que de multiples
traditions manufacturières permettent de l’étudier.
C’est ainsi que des historiens et des praticiens, Bernard Jaque, Colette
Martin, Odile Nouvel, Jérémie Cerman, Constance Guisset et Tamara Préaud,
ont exposé au fil de 4 séances les  process d’impression concernant les
tissus, les papiers peints, la porcelaine.
Au-delà des process, ce sont des mondes industriels, des habiletés manuelles
et des arts mécaniques, des modes de réception des innovations, qui se sont
découverts à nous.
Mieux équipés, nous revenons vers l’impression 3D pour préciser ses usages
actuels, l’organisation industrielle et les expérimentations scientifiques
et artistiques dont elle est l’objet.  Au long de ce parcours nous avons en
effet compris que les liens étaient bien plus importants que prévu entre les
diverses formes de l’impression. Avec cette grammaire descriptive enrichie,
Sophie Pène revient vers l’analyse des productions disponibles. A partir
d’un corpus d’articles de presse professionnelle et de comptes rendus de
terrain, elle examinera au cours de la séance du 5 avril  les organisations
industrielles et les nouveaux produits dont l’impression 3D est l’objet,
comme discours et comme pratique.

How Can Design Research serve Industry? Appel à communication

DPPI 11 – Designing Pleasurable Products and Interfaces
How Can Design Research serve Industry?
Design visions, tools and knowledge for industry

Important dates:
15th September 2010 – Call opens
30th January 2011 – Call closes
22nd June 2011- Conference starts
25th June 2011 – Conference ends
> CALL – In these days a mantra for companies and institutions seems to be, almost mandatorily, the need to become design-oriented, in order to increase their capability to build value, generate innovation and increase market shares as well as profits. This mantra, more often than not, comes with another one: design innovation is putting the user at the center of the project. Research on pleasurable products and interfaces is playing an important role in this debate elaborating and formalizing new knowledge on people (end users, value co-producers, etc.) and their needs, expectations, beliefs, values, desires; and suggesting the possibility to exploit user centered design in sectors and markets that are not commonly thought as being inherent its field of research. This has produced a significant amount of knowledge, mainly through vast experimentation, whereas less has been said on how to integrate this knowledge in industry. Apparently there is a disconnection between research on user centered design and pleasurability, and design practices inside industry, especially in SMEs contexts. Given these premises, it would be very interesting to investigate how this research can be integrated into industry, and to discuss it in relation to other approaches to design innovation.
> TRACKS – Participants are encouraged to submit proposals that focus on (1).Innovative ways to explore, (2). Industries engaging users in design, (3).Modes and aesthetics of interaction, (4).Design culture and thinking in industry, (5).Organizing design in industry, (6).Service Design and interactions.

> DOCTORAL CONSORTIUM – Invites participants to work through aesthetic issues in their on-going doctoral work. Participants are expected to write a short position paper about their research, and prepare a 15-minute presentation, focusing on explaining their research, how aesthetics figures in their thinking and how they plan to work with aesthetics.
> For further information please visit: http://www.dppi11.polimi.it
> Contact Details
> Local Committee DPPI 11
> INDACO Department – Politecnico di Milano
> EMAIL : dppi11@polimi.it
>

SophiePène

Sophie Pène Directrice de la recherche ENSCI Les Ateliers , au nom de l'ENSCI-Les Ateliers Paris Design Lab

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